Saturday, September 30, 2006

Guisborough Cricket Club (28th September 2006)


Thanks to all who attended the demonstration on Thursday at Guisborough Cricket Club. I really enjoyed your company, you made me very welcome, thank you.

This is the finished painting. All I needed to do to complete it, was to place a shadow across the bottom of the road, put in a few more branches and twigs and lift some of the dark paint from the left-hand foreground.

I hope you found the demonstration of some use and if you have any further queries don't hesitate to contact me.

Looking forward to seeing you all again in January 2007

Friday, September 22, 2006

Quotation (22nd September 2006)


"Stationers' are nice, but artists' colourmen's emporia are mysterious museums of delight"

Shena Mackay

Writing on the wall: Women Writers on Women Artists









Paint Shop, Venice

Tuesday, September 19, 2006

R.S.M.A. Annual Exhibition, Selection Day

Yesterday I had a very enjoyable time at the Mall Galleries in London selecting paintings for this year’s R.S.M.A. annual exhibition. (17th to 29th October).
As usual there were hundreds of paintings in for consideration and selection began at 10.30 in the morning and finished at around 4.30pm.
For anyone who has not sat on a selection committee, it’s a very enjoyable, but tiring process as a balanced and fair assessment of each artists work is essential. Paintings and Sculptures that are accepted for exhibition require a substantial majority of votes from the members on the selection committee, and subsequently the paintings hung are of the highest standard.
I always feel for all the unsuccessful artists, especially the ones that nearly got their work accepted, there’s sometimes very little between a ‘yes’ or a ‘no’ and all I can say to disappointed artists is to try again next year and don’t be too downhearted.
One interesting thing cropped up at yesterdays selection and that was the submission of a painting copied from one of my own works! Although flattering that someone thought that the painting merited copying, it is a golden rule that all work should be original; subsequently the painting was immediately disqualified.
It never fails to amaze me how many paintings are submitted each year, and the dedication and enthusiasm of all the artists is to be commended. A big thank you to all those artists comes, I’m sure, from the R.S.M.A. membership, as without your support and interest Societies like ours would not exist.
Not all the works can ever hit the mark on ‘selection’, but overall I feel that we will have another ‘First Rate’ show.

To view the paintings I will be exhibiting this year, please follow this link.


Sunday, September 17, 2006

Setting Up Your Studio (Part Three)

Lighting is a very important element when planning your studio. Many of us will be working indoors during the long winter months and it is vital to achieve a good and constant level of light.
In my studio I have a balance of natural and artificial light. I have a ‘Velux’ roof window letting in lots of light straight from the sky, together with a large window which faces North East and gives a good steady light source throughout the day. It may seem ideal, but having direct sunlight pouring directly into your studio all day can be difficult to cope with. I had some of these problems when living at Sandsend, and seemed to spend most of the day drawing curtains and blinds to prevent the sun from cutting across my work.

Getting back to my present studio, I have four, 5 foot fluorescent tubes. Two of them are just normal ‘white’ light fluorescents, but the other two are ‘Daylight tubes F58W/72 Activa 172 from ‘Full Spectrum Lighting’ I find that this combination of natural and artificial light works for me.
Another consideration which may create a feeling of more space and light in your studio is to hang a large mirror somewhere in the room. I have always used a mirror to check for errors in my painting as it progresses, but the large mirror I now have works wonders, creating more light and a feeling of space in the studio. If you don’t have the wall space available to hang a large mirror consider fixing it to a door as I have.

I have included one or two photographs from my studio which hopefully illustrate some of the above points.

Monday, September 11, 2006

Winsor's Words of Wisdom.6


Where possible, always take the higher ground, that way, you can look down on your humans, maintain superiority & keep them in their place!
Photograph

Thursday, September 07, 2006

The Royal Society of Marine Artist's Annual Exhibition 17th to 29th October 2006

I will be sending six paintings to the ‘Royal Society of Marine Artists’ Annual Exhibition at the ‘Mall Galleries’ next week. To view the paintings, please follow this link


Should you wish to attend the exhibition these are the dates::
Private View: Tuesday 17th October.
Exhibition opens: Wednesday 18th October. Daily 10 a.m. – 5 p.m. including weekends
Exhibition closes: Sunday 29th October.
During the Exhibition there are several demonstration days:
Friday 20th October, 2 pm
Oil demonstration by Paul Banning RSMA, RI
Saturday 21st October, 11 am
Oil demonstration by John Webster RSMA
Sunday 22nd October, 11am
Watercolour demonstration by Stanley Andrews RSMA
Tuesday 24th October, 2 pm
Oil demonstration by John Lines RSMA
Wednesday 25th October, 2 pm
Pastel demonstration by David Allen ARSMA
Saturday 28th October, 11 am
Oil demonstration byBert Wright PPRSMA
Please contact Robert, if you would like further information about the Royal Society of Marine Artists or the Annual Exhibition

Saturday, September 02, 2006

Setting Up Your Sudio (Part Two)

In my Studio I have a large work desk made from Beech. It was made to my specifications around twenty years ago by a joiner friend.

Although it is quite a large piece of furniture, I feel that I could not manage with it being any smaller. As you can see from the photographs, it has an adjustable slope which I use for both Watercolour and Oil painting.
I also have an A2 ‘self- healing’ cutting mat which is permanently on the slope.
To the right of the slope I have a good sized worktop for layout purposes and for all the miscellaneous pieces of equipment I may need during the painting process.

Underneath the bench top I have a small metal cabinet of drawers which holds pencils, pens rulers etc, together with a small stock of watercolour and oil paints. I also have two vertical slots for storing watercolour papers, oil boards etc. My hairdryer hangs by a cup hook from the underside of the bench.

Should you be interested in the dimensions of my workbench, they are:

1500mm x 800mm x 750mm high

The adjustable slope is 700mm x 600mm and can be adjusted from flat to an angle of approx 75 degrees.

If you have any questions don’t hesitate to contact me.

Part Three, will deal with the storage of all your materials, paintings etc. and studio seating.

Studio
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Studio
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Studio
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